Like the decomposition of dead organisms on the forest floor and their rebirth from the soil as something new, I view the forms and surfaces in my work as fluid, always changing. My sculptural installation is a living environment comprised of fabrics and other domestic objects that have a past life. Disparate histories of the people who once owned these relics are connected by my meticulous assemblage. Nature is a balance between order and chaos, and while my sculptures may be chaotic, everything is carefully manipulated in order to properly honor the narratives of the objects I incorporate. I do this so that rather than being forgotten, these histories are enshrined, interwoven, and can grow in a symbiotic way.
website: Erica Kaufman Art
Dwelling, 2018-2020, installation view
Dwelling, 2018-2020, installation view
Pinnacle, 2018-2020, chandelier, tablecloth, blankets, clothing, and other domestic objects, 8 x 6 x 5 feet
Reaching from, reaching for, 2020, chair, marbles, globe, vases, blankets, and other domestic objects, 4 x 3½ x 4 feet
Reaching from, reaching for, 2020 (detail)
Dwelling, 2018-2020, installation view
Dwelling, 2018-2020, installation view
Dwelling, 2018-2020, installation view
Dwelling, 2018-2020, installation view
Strega Nona, 2019, clothing, scarf, vase, and nesting tables, 32 x 40 x 30 inches
Pinnacle, 2018-2020, chandelier, tablecloth, blankets, clothing, and other domestic objects, 8 x 6 x 5 feet
Pinnacle, 2018-2020 (detail)
Pinnacle, 2018-2020 (detail)
Roundabout, 2019, robes and antique mirror, 12 x 30 x 30 inches
Stacked glass, 2019-2020, vases and china cabinet, dimensions variable
Stacked glass, 2019-2020 (detail)
Stacked glass, 2019-2020 (detail)